Constituentele etnofolclorice: cadru conceptual și abordări etnologice Mariana Cocieru

Abstract. The ethnological studies examination about the conceptualization of ethnofolkloric constituents provides us with a vast hermeneutical repertoire initiated from different perspectives: historical and geographical, structuralist,functional/morphological, aesthetic, semiological, phenomenological. Starting from the folkloristical interpretations by B.P. Hasdeu and up to the evocations of cutting edge, the subject of defining constituents belonging to the oral popular creations reveals an increased scientific interest, but also an interdisciplinary approach, reaching to the attention of linguistics, theory of literature, folkloristics, ethnology, cultural anthropology and archetypology, psychoanalytics etc. Structural coordinates of folklore, unlike literature, stem from the formalized character of the constituents, from the functional syncretism of components belong to different fields which are in a mutual dependence, from the relation between prototype and its variants. The formalization involves the establishment of a code, a system of signs, underlying oral literary communication, in which the functional syncretism captures by combining various languages of expression of folklore creation: oral, music, dance, theater etc. Therefore the interpretation of folklore products outside of this syncretism, of the formalized character and of the relationship between model and variants will demonstrate an unilateral incomplete approach.

Descarcă articolul: M. Cocieru

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